The idea that this was more than a department at my grandmother's favorite craft store came up in a classroom discussion led by an architecture professor. I was surprised, but not unpleasantly so, that 'art history' class I registered to take in Italy focused much more on the history and philosophy of architecture than any of the other arts. Our professor, an aging but still limber Florentine native, had such stories to tell, such wisdom to impart. Yet for the sake of honesty, I must admit that I listened to only a small portion of his lectures and remember even less. However, one day I happened to be taking notes and happened to take down something to this effect, "The building acts as a frame, a way to see reality. The museum, it is the same way. You take the art outside of the museum and it is different" During this time, My communication professor and I were in the midst of our ongoing conversation about the rhetoric of museums and this idea of framing caught in my mind.
This is one of the topics that I feel a great many scholars have a good understanding of, but that I, as a baby scholar, don't and would like to explore further. So, onto our discovery in Hariman's work in which he focuses on iconic pieces of photojournalism and in this part, what makes them iconic:
"Photography is grounded in phenomenological devices crucial to establishing the performative experience. Framing, for example, whether by the theatrical stage or the rectangular boundaries of any photo, marks the work as a special selection of reality that acquires great intensity than the flow of experience before and after it. As they are framed, photos become marked as special acts of display."
Still mulling this over in my mind... and trying to figure out how exactly the devices are phenomenological, but wanted to get this down before I forgot. I shall return to the topic, and with a greater understanding (for in the notes, the authors point us towards further reading, yea!).
On another , the second biggest issue on my mind is what exactly I'm doing studying and reading through my spring break. Not that I'm not enjoying it immensely, especially since yesterday I didn't do much more than sleep in the sunshine and read romance novels, but perhaps next year I should put some more effort into being more adventurous for break.
Referenced:
No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy (2007) by Robert Hariman and John Louis Lucaites
